Through the symbolic use of light, my concentration explores the unwrapping of one’s “inner light,” or soul, as a person matures. Early in life, we are insecure so we may put up defenses. But later, if we discover that life is a journey towards self-enlightenment, we unravel our exterior and let our personality shine through to illuminate ourselves and others. Light that comes from within is the most important aspect of ourselves, as the light is an integral part of each of my ceramic forms.
Throughout the series, slowly larger amounts of light are let through. The first and last piece show the beginning and end of the journey and are representational, while the middle pieces detail the abstract inner reworking that must occur to allow the light through. The middle symbolizes important internal changes of introspection and self-discovery. The idea of unwrapping the self is highlighted in images 2 and 3, where the figure and silhouette exist in balance with the negative space. Image 4 breaks down the silhouette into tall, flowing slabs to represent the movement connected to self-dismantling. Image 5 shows the tentacle-like expansion into the deeper parts of ourselves that is part of self-awareness. The negative space and inversion in Image 6 serve as the turning point of the series, where walls fall down and light is completely drawn out. Images 7, 8, and 9 emphasize the later coming together of the separated pieces through tension and new exploration of balance. The explosive nature shows that the light cannot be held in, and in future pieces will only be let out. Image 9 is the simplest and purest exposure of light, and the end of the inner work. Sitting in the lotus pose, the last piece represents the peaceful and meditative end to the difficult quest for self-enlightenment.